Matthew 2: 13-23
Good morning, and grace and peace.
The Tenth Day of Christmas . . . and my true love gave to me “ten lords
a-leaping!" Which sounds like an
appropriate gift indeed for us here, with so many Anglophiles in the St.
Andrew’s circle, on a day when the final season of Downtown Abbey is to begin
on Public Broadcasting.
As most of you know, I like to keep counting all the way through the
rich 40 days of this season of Incarnation, subdivided as Christmastide and
Epiphany, up to February 2, Candlemas, Feast of the Purification of St. Mary
the Virgin, the Presentation of our Lord in the Temple—which this year because
of a very early Easter will actually come in a kind of overlapping of the
calendar of the Church Year after we have already begun to shift gears into the
three weeks of “Pre-Lent.,” Septuagesima, Sexagesima, and Quinquagesima. When our focus will begin to turn from the
great theological language of Incarnation to center on the Doctrine of
Atonement. Incarnation, about “who Jesus
is,” and Atonement, about “what Jesus did.”
The Nature of Christ. The Work of
Christ. Completely inseparable, of course:
the unified message of the Gospel, that Christ Jesus came into the world to
save sinners.
In any event, this Sunday it’s still very much Merry Christmas!, and Happy
New Year!-- though as we hear this morning St. Matthew carries us along
some of the shadowy pathways through the story of the Birth of our Savior.
Years ago Ruth Cover of blessed memory told me a story which I love to
retell, partly just because it is such a pleasure to remember Ruth and her
wonderful sense of humor. So many of you
have heard it before, though I bet you’ll smile as you remember it, as I know I
do. I’m not sure this was something
that happened to her when she was teaching in our Church School back in the
1960’s or 70’s, or perhaps a story that she had been told by someone else. But the story is an Advent or Christmas
season Sunday School art project-- the second or third graders are given some
drawing papers and crayons and asked to create a picture of their favorite
scene from the Christmas Story. The
results perhaps fairly predictable.
Lots of Shepherds and Angels, Holy Family in the stable, the animals,
the Baby in the Manger, the Three Kings, the Bethlehem Star. But then one boy at the end of the table has
spent his time working energetically, and when the teacher looks over his
shoulder she sees something that looks like a Fighter Jet shooting across a
blue sky, with giant flames exploding out of the engines. “Didn’t you hear the assignment,
Johnny?” The teacher asks. “Yes, he says.” “But this isn’t part of the Christmas story.” “Sure it is.
The flight into Egypt! – and
look, in the cockpit, that’s Pontius, the Pilot.”
In any event, part of the Christmas story that most years doesn’t make it to the
Pageant. We remember how Matthew brings
us to this point.
Matthew’s Christmas
doesn’t contradict anything we remember from Luke, but there are lots of things
he remembers that Luke didn’t tell us about.
At the beginning of Chapter 2 Matthew introduces us to these Wise Men
from the East, who have seen a new star in the sky, which they interpret as
meaning that a new king has been born to rule in Israel. They come to Jerusalem, and make official
inquiries that lead to old King Herod hearing of their arrival, and after some worried
consultation they are sent along to Bethlehem, King David’s city and the place
where the Prophet has said the long hoped-for Messiah would be born. Herod is clearly worried that this might be a
hint that there is some rebellion percolating, a challenge to his authority and
the legitimacy of his dynasty, and so he asks the Wise Men to return to
Jerusalem and to let him know what they have found.
Of course the Wise Men do come to Bethlehem, guided by the Star--which
is now moving along before them--rejoicing “exceedingly with great joy” when
they finally find Jesus and Mary and Joseph. And after the presenting their three
symbolic gifts, gold, frankincense, and myrrh, they are, we are told, warned in a dream not
to return to Jerusalem, and so they head home a different way.
That’s how we get to this morning’s readings. Which seem to me to be so haunting perhaps
this year in particular. The Wise Men
have slipped away, but Joseph, just like his Old Testament namesake at the end
of the Book of Genesis, the one with the Technicolor sportcoat, is a man who
dreams meaningful dreams. God speaks to
our Joseph in a dream, and just as Joseph in Genesis brings Israel his father
and all his brothers and their families down to Egypt as a place of refuge and
safety in the time of famine, so now as the guardian and protector of Jesus and
Mary his Mother this Joseph is given an urgent warning, and is called as well
to Egypt as a place of refuge, narrowly escaping the murderous rage of Herod,
who has realized that the Wise Men have slipped away and who then decides to
nip any potential problem of a birth in the royal line of David by ordering the
Slaughter of the Innocents. Something we
are told from other historical sources was entirely in keeping with his
ruthless exercise of power. Another part
of the story missing from most Sunday School Pageants. That horrifying cry of the Mothers of
Bethlehem echoing through the centuries.
Hard not to hear this story just past New Year’s Day 2016 and not think
back to the images of the year past. The
cities of Syria devastated by bombs and ruthless fighting between opposing
armies. Christians and other religious
minorities rounded up by gangs of the Islamic State and its affiliates and then
brutally murdered, with commentaries provided for YouTube distribution. And an endless procession of refugees fleeing
in terror on tiny fishing boats and disintegrating rafts. Fleeing for their lives, for some kind of
future and safe harbor. Again, hard not
to think of these things as we watch Mary and Joseph and the Child this morning. We should.
And it’s not until some considerable time later, perhaps even several
years of living as refugees in some camp or ghetto in Egypt, when King Herod
dies, that Joseph finally believes it safe to take the child and his mother and
to return not to Bethlehem, where Herod’s son was now in charge, but back to
Nazareth, Mary’s hometown, where Joseph apparently had been working some time
ago as a carpenter or in the construction trade, to make their home there.
Matthew’s Christmas always feels a little uncomfortable leaning up
against the story as Luke tells it. Shepherds
and Angels and the midnight birth, the babe wrapped in swaddling clothes and
settled in a manger bed— in a kind of homey, domestic bubble, warm, romantic,
sentimental, almost other-worldly, a story we might read our children before
they go to sleep.
But Matthew’s
Christmas on this Second Sunday after Christmas is not a bedtime story. Not if you don’t want some squirming, and
some uncomfortable dreams. Rated R, for
“mature themes.” No visions of sugarplums, but darkness and
danger, a fearful escape to a foreign land, the brutal clatter of swords, blood and death
and destruction and the weeping of mothers bereft of their little ones.
Hear Matthew’s story, and you’re grateful Christmas comes but once a
year. On display, the worst the world
has to offer. The absolute worst. Our world unvarnished. Brokenness, betrayal, cruelty, sin and
death. Sin and death.
I mean, it’s the holiday season, after all,
and time for a break from all that. Right? But Matthew keeps the spotlight right
there.
In the 2006 movie Superman
Returns there is a scene at the beginning.
Superman has returned to Metropolis after many years on some kind of
unspecified task far away, I can’t remember the details. A sabbatical.
And he discovers that in his absence things seem to have changed. At one time he was cheered as a hero, but now
he seems to be regarded more as a problem, a disruption. He wants to be involved, but he is turned
away again and again by people who feel like they no longer need the kind of
help he can offer. Even his old flame
Lois Lane has moved on. A new job, a new
boyfriend. And she has this amazing
conversation with the Man of Steel. “You
seem to think it’s your job to save the world,” she tells him. “But the fact of the matter is, the world
doesn’t need a savior, and neither do I.”
The fact of the matter is, we don’t need a savior. Well—if you’ve seen the movie, you’ll know
that Lois has spoken a bit too soon. Lex
Luthor and his evil gang are even as Lois is speaking at work to bring on chaos
and destruction, with a full dose of Kryptonite, and things are about to go
very bad indeed.
But I recall that scene this morning just to say that if there’s one
thing Matthew never will let us say at Christmas, is that we don’t need a
savior. This world of ours. You and I.
Matthew doesn’t forget and doesn’t let us forget that this is a world
that needs saving. That you and I are
people who need to be saved. From the
darkness around us, from the evil that has taken up residence in us. That’s why Jesus is born. Why he came.
Without Jesus, it’s all Herod, all the time. Deadly Kryptonite. In the wide world. In our hearts. The message to call us to the Table this
Second Christmas Sunday, and a reminder as we are sent out into the world. As the angel.
“You shall call his name Jesus,” which means savior. Savior. What Christmas is, and to remember just what
is at stake here. Really and seriously. Very high stakes for us, if we are tempted to
cover that over with a bit of holiday gift wrap. Call him Savior, the angel says. That Baby in the Manger. Because without him we are doomed.
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